Journals related to Auditory Displays
Publishes original studies in several areas of acoustics including psychological and physiological acoustics, speech production, perception and processing, music and musical instruments, noise effects, and control. It also publishes information on acoustics news, standards, and patents.
Original papers covering all aspects of audio engineering, including such topics as digital recording, speaker and microphone design, sound recording techniques, sound synchronization and transmission in various media such as film and television, sound reinforcement, and audio measurement and analysis. In addition to the journal, the proceedings from the AES conferences are another information resource.
Print ISSN: 2574-2442
Online ISSN: 2574-2450
Auditory Perception & Cognition seeks to bring together outstanding examples of auditory science across disciplines within one publication. It is unique in its consideration of work with either a basic or applied research focus that can target any level of processing (i.e., low-level perceptual to high-level cognitive), theoretical perspective (e.g., constructivist v. ecological) and methodology (e.g. neurophysiological v. behavioral/psychophysical; quantitative v. observational).
Essex, UK: Elsevier Science Publishers.
Since its launch in 1968, Applied Acoustics has been publishing high quality research papers providing state-of-the-art coverage of research findings for engineers and scientists involved in applications of acoustics in the widest sense.
Online ISSN: 1547-8181
Publishes peer-reviewed scientific studies in human factors/ergonomics that present theoretical and practical advances concerning the relationship between people and technologies, tools, environments, and systems. Papers published in Human Factors leverage fundamental knowledge of human capabilities and limitations – and the basic understanding of cognitive, physical, behavioral, physiological, social, developmental, affective, and motivational aspects of human performance – to yield design principles; enhance training, selection, and communication; and ultimately improve human-system interfaces and sociotechnical systems that lead to safer and more effective outcomes.
A publication of the IEEE Signal Processing Society
New York, NY: IEEE.
LMJ: Journal of the International Society for the Arts, Sciences, and Technology
Oxford: Pergamon Press.
In the development of multimodal interfaces, this journal offers a standard reference for multidisciplinary work. As implied by the word Interfaces rather than Interactions in the title, the journal seeks to illustrate verifiable realisations over purely theoretical musings. The journal focuses on multimodal interfaces developed with an emphasis on user-centric design. Thus, usability and architectural considerations are also key targets.
Psychonomic Society Publications
Print ISSN: 1943-3921
Online ISSN: 1943-393X
Publishes original studies of sensory processes, perception, and psychophysics. Primarily empirical studies of fundamental perceptual phenomena.
CMJ is the most important source for information on new sound synthesis alogrithms, computer music composition techniques, computer-assisted music analysis programs, and a host of other issues.
It publishes papers of inter-disciplinary research that crosses the boundaries between perception and computer science disciplines such as graphics, vision, acoustics and haptics. The scope of this journal includes applications and algorithms in any of these fields that incorporate elements of perception.
Volume 2, Issue 4 (October 2005) was a special edition marking 10 years of ICAD conferences.
Cambridge University Press
Print ISSN: 1355-7718
Online ISSN: 1469-8153
Organised Sound is an international peer-reviewed journal which focuses on the rapidly developing methods and issues arising from the use of technology in music today. It concentrates upon the impact which the application of technology is having upon music in a variety of genres, including multimedia, performance art, sound sculpture and music ranging from popular idioms to experimental electroacoustic composition. It provides a unique forum for anyone interested in electroacoustic music studies, its creation and related developments to share the results of their research as they affect musical issues.