Papers, posters and demos accepted
Here is the preliminary listing of accepted papers, posters and
demos that will be at ICAD'98. There are also details of the report from the NSF workshop on sonification.
A Status Report and Research Agenda for Sonification: A Discussion of the White Paper and its Development Process
by John H. Flowers
University of Nebraska
Lincoln, Nebraska USA
Terri L. Bonebright
DePauw University
Greencastle, Indiana USA
John Neuhoff
Department of Psychology
Lafayette College
Easton, PA 18042
Bruce Walker
Rice University and IBM
In association with the 1997 ICAD conference, an interdisciplinary group of researchers gathered at the request of the National Science Foundation, to plan the writing of a document that would summarise the current status of sonification research and provide an agenda for future research. The present discussion will provide an overview of the issues contained in that document as well as the process through which it was developed. Opportunities for informal discussion of these issues among the ICAD community and representatives of the White Paper committee will be provided at this session.
The presentation and discussion of this report will take place over lunch on Monday 2nd November.
Papers
- Paul Vickers, James L. Alty (School of Computing &
Mathematical Sciences Liverpool John Moores University)
Towards some Organising Principles for Musical Program
Auralisations
- Michael J. Evans (School of Computer Science Cybernetics
and Electronic Engineering University of Reading)
Synthesising Moving Sounds
- Myra P. Bussemakers, Abraham de Haan (Nijmegen Institute
for Cognition and Information, Catholic University of
Nijmegen) Using Earcons and Icons in Categorisation Tasks
to Improve Multimedia Interfaces
- Eric Somers (State University of New York, Dutchess
Community College) A Pedagogy of Creative Thinking based
on Sonification of Visual Structures and Visualization of
Aural Structures
- Catriona Macaulay, Alison Crerar (Department of Computing
Napier University) 'Observing' the Workplace Soundscape:
Ethnography and Auditory Interface Design
- Stephen A Brewster (Department of Computing Science,
University of Glasgow) Sonically-Enhanced Drag and Drop
- Naut Humon, Bill Thibault, Vance Galloway, Garnet Willis,
Jessica Grace Wing (Sound Traffic Control) Sound Traffic
Control: An Interactive 3-D Audio System for Live Musical
Performance
- T Lehmann (Heinz Nixdorf Institute) Case Study of a
Software Structure for a 3D-Audio-Device
- Terri L. Bonebright, Nadine E. Miner, Timothy E.
Goldsmith, Thomas P. Caudell (Dept of Psychology, DePauw
University) Data Collection and Analysis Techniques for
Evaluating the Perceptual Qualities of Auditory Stimuli
- Sanae Wake, Toshiyuki Asahi (NEC Human Media Research
Labs.) Sound Retrieval with Intuitive Verbal Expressions
- Peggy Zwolinski, Jean-Claude Sagot (Institut
Polytechnique de Sevenans. L'Universite de Technologie de
Belfort-Montbeliard) A simulation approach to the design
and evaluation of auditory interfaces in a high speed
train driving cab
- Evangelos N. Mitsopoulos (Department of Computer Science
University of York) A Principled Methodology for the
Specification and Design of Non-Visual Widgets
- David J. Bennett (Department of Computer Science
University of York) Exploration of Non-seen Diagrams
- Ville Pulkki, Tapio Lokki (Laboratory of Acoustics and
Audio Signal Processing Helsinki University of
Technology) Creating Auditory Displays with Multiple
Loudspeakers using VBAP: A Case Study with DIVA project
- Norbert Braun, Ralf Dorner (Fraunhofer Institute for
Computer Graphics) Using Sonic Hyperlinks in Web-TV
- David Williams, Christine Cheepen (Vocalis Ltd.) 'The
Sound of Silence': A Preliminary Experiment Investigating
Non-Verbal Auditory Representations in Telephone-Based
Automated Spoken Dialogues
- Mikael Fernstrom, Caolan McNamara (Interaction Design
Centre, University of Limerick) After Direct Manipulation
- Direct Sonification
- Mikael Fernstrom, Niall Griffith (Interaction Design
Centre University of Limerick) LiteFoot - Auditory
Display of Footwork
- Gerhard Eckel (GMD - German National Research Center for
Information Technology) A Spatial Auditory Display for
the CyberStage
- Benjamin U. Rubin (Interactive Telecommunications
Program, New York University, and Electronic Arts
Research Studio) Audible Information Design in the New
York City Subway System: A Case Study
- Stephane Conversy (Laboratoire de Recherche en
Informatique - Universite de Paris-Sud) Ad-hoc synthesis
of auditory icons
- Nancy L. Vause, D. Wesley Grantham (U.S. Army Research
Laboratory, Human Research and Engineering Directorate)
Speech Intelligibility in Adverse Conditions in Recorded
Virtual Auditory Environments
- Millicent Cooley (Carnegie Mellon University) Sound +
Image in Design
- Emil Jovanov, Dusan Starcevic, Kristen Wegner, Daniel
Karron, Vlada Radivojevic (University of Belgrade)
Acoustic Rendering as Support for Sustained Attention
During Biomedical Procedures
- Perry R Cook, Georg Essl, Georgos Tzanetakis, Dan Trueman
(Department of Comptuer Science (also Music) Princeton
University) N>>2: Multi-speaker Display Systems for
Virtual Reality and Spatial Audio Projection
- Gregory Leplatre, Stephen A Brewster (Department of
Computing Science, University of Glasgow) An
Investigation of Using Music to Provide Navigation Cues
- Kristen Wegner (Computer Aided Surgery Incorporated)
Surgical Navigation System and Method Using Audio
Feedback
- Murray Crease, Stephen Brewster (Department of Computing
Science, University of Glasgow) Making Progress With
Sounds - The Design & Evaluation Of An Audio Progress
Bar
- Helen Petrie, Sarah Morley (Sensory Disabilities Research
Unit University of Hertfordshire) The Use of Non-Speech
Sounds in Non-Visual Interfaces to the MS-Windows GUI for
Blind Computer Users
- Patrick Roth, Lori Petrucci, Thierry Pun, Andre
Assimacopoulos (Department of Computer Science,
University of Geneva) AB-Web : Active audio browser for
visually impaired and blind users
- Rameshsharma Ramloll John Mariani (Co-operative Systems
Engineering Group, Lancaster University) Do auditory cues matter in shared drawing environments?
Posters
- Catherine Demarey, Patricia Plenacoste (Trigone
Laboratory, USTL) The use and the meaning of everyday
sounds in the design of auditory metaphors : a
preliminary study
- John C K Hankinson (Department of Computer Science,
University of York) Musical Grammars as the Basis of
Non-Speech Audio Communication
Demonstrations
- Peter Platt (BT Laboratories) Dynamic Scores in Virtual
Environments
- Eric C. Odgaard, Dion C. Buhman, John H. Flowers,
Jennifer A. Cherry, Kimberly D. Turnage (Department of
Psychology, University of Nebraska-Lincoln) Perceptual
Equivalence and Non-equivalence of Auditory Pitch-Time
Displays and Visual X-Y Representations
- Tapio Lokki, Ville Pulkki (Laboratory of
Telecommunications Software and Multimedia Helsinki
University of Technology) Demonstrating Multi-Loudspeaker
Auditory Display Created with VBAP
- Jarrell Pair, James Oliverio (AudioLab Graphics,
Visualization and Usability Center Georgia Institute of
Technology) Tour in the Music, Extended Csound, COOLVR:
Audio Research and Development Projects at GVU AudioLab
- Rameshsharma Ramloll, John Mariani (Co-operative Systems
Engineering Group, Lancaster University) Demonstrating
Gaze Driven Auditory Browsing